Oracle Machines (2026)
large ensemble and electronics
Set the Sun (2025)
piano and electronics
Tectonics (2023)
ensemble and electronics
Seeker (2022)
orchestra and electronics
The Atens (2022)
reed quintet and electronics
Star Taker (2019)
saxophone, violin, cello, piano, percussion, and quadraphonic playback
Actuate/Resonate (2018)
large ensemble with electronics
Lines on Black (2018)
for voice, flute, violin, saxophone, piano, percussion, and electronics
binary/momentary iii (2018)
cello and electronics
for Delia Derbyshire (2018)
bass, guitar, and electronics
Matrix for George Lewis (2017)
2 electronic silent brass trombones
binary/momentary ii: flow state/joy state (2017)
Trumpet, 2 trombones, piano, and percussion
binary/momentary logics: flow state/joy state (2016)
String quartet
delay/line (2016)
Flute and delay line
Seven Systems (2015)
2 piano, 2 percussion quartet with electronic playback and actuated snares
Points Against Fields (2015)
Bassoon and playback
hydra (2015)
Violin, piano, fixed media, and live electronics
MODULES (2014)
Brass quartet, percussion, analog synthesizer, and live electronics
Four Sixes (2014)
Percussion Sextet
Chain Reactions/Five Events (2013)
String quartet and live electronics
Sixty Cycles (2013)
Sopranino saxophone soloist, feedback televisions, violin, and cello
Broken Symmetries (2012)
Violin soloist, feedback electronics, flute, tenor saxophone, piano, and percussion
Machine Language (2012)
Percussion soloist, 2 percussion, 2 violins, 2 bass clarinets, accordion, and fixed sine tones
Portraits/Self Portraits (2011)
Violin soloist with large ensemble
ATD V (2010)
Saxophone and electronics soloists with small ensemble
Tile Mosaic (after Chagall) (2010)
Two pianos, two percussion, and resonant pails
Standing Waves (2009)
Medium sized ensemble and electronics
Matrices (2009)
Percussion trio and electronics
Signal Flow (2009)
Percussion quartet and electronics
Lyra (2007 rev. 2010)
Amplified string quartet
SWITCHES (2007)
Distorted, amplified cello and drumset
American Tokyo Daydream IV (data structures/monoliths) (2007)
Saxophones, electric guitar, and accordion
A Circle of 8 in a Prime of Primes for Sara (31), by Sam (29)
Sheng, pipa, suona, handbell choir, and live electronics
7:6 (2006, rev. 2010)
Distorted, amplified cello
American Tokyo Daydream III (The Surprise) (2006)
Piano, string quaret, and live electronics
noise + mobile (2005)
Piano and electronic playback
ATD V
From Wikipedia: "The fantasia (from Italian: fantasia; also English: fantasy, fancy, German: Fantasie, French: fantaisie) is a musical composition with its roots in the art of improvisation." I wrote this work in the winter of 2010 with the idea of creating a piece improvisational in form and at many points actually improvised. I had been listening to an album of Horowitz performing Chopin and thoroughly enjoyed the absurdity of the whole thing - both Chopin's wild music and Horowitz's ridiculous playing. I wanted to create a work that had a free and open form which also gave the performers an open platform to display their virtuosity. This work combines a fully notated structure, written for ensemble, with an improvisational element performed by Alex Mincek on saxophone and me on laptop.
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